
My longing to see a good film in Tamil is been fulfilled by Mysskin’s Nandalala. At first a royal salute to Mysskin for not making a storyline based in Madurai zone which portrays a hero with unshaven face. Because most of the directors at present in Tamil cinema industry says they making a realistic script and does the above mentioned story.
A journey of two persons a kid and a grown up kid in searching of their respective mothers is the storyline. The situations and the persons they meet in the process of journey forms the crux of the film. I didn’t want to reveal the entire story because it may disrupt your interest while seeing the movie.
In a journey of life, we do several small journeys. Those journeys and the co-passengers of the journeys teach us a lot of lesson about the life. This is the thing Mysskin tries to deliver in the movie. The characterization of each person in the film is done by Mysskin with utmost care. Particularly I loved the characterization of the differentially able person the lead characters meet in the middle. Each end every scene of the film is crafted like writing a novel. I felt like reading a novel not felt as seeing a film. The director explains many sequences by the visualization not by lengthy dialogues.
Technically film has a lot to praise. Cinematography for the film is done by Mahesh Muthusamy. He deserves lot of praises, because his camera captured with the exact mood of the scenes, the colorization is perfect for each scene. Editing by Khakin deserves a special mention because for this kind of film the running length is the key factor and he made it around 135mins, which is a highly favorable thing to enjoy the movie.
The one person who carried the film in his shoulders with ease is our Mastero Illayaraja. I never experienced such a great quality BGM in any of the recent Tamil movies even not in Illayaraja scored films. Thanks to Mysskin for it. I am sure Illayaraja deserves a national award for Nandalala.
In performance everybody who acted in the movie did their job pretty well. As he is the captain of the ship, Mysskin blended himself to the character of psychologically affected person. The small boy Aswath ram and snigdha both did a commendable job.
Overall Nandalala is a cute novel in silver screen which portrays human emotions in relationships very neatly. A must see movie don’t miss it.
P.S: Nandalala is based on a Japanese film “Kikujiro” directed by Takeshi Kitano.
